In 1913, when Anthony Patch was twenty-five, two years were already gone since irony, the Holy Ghost of this later day, had, theoretically at least, descended upon him. Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual «There! » yet at the brink of this story he has as yet gone no further than the conscious stage. As you first see him he wonders frequently whether he is not without honor and slightly mad, a shameful and obscene thinness glistening on the surface of the world like oil on a clean pond, these occasions being varied, of course, with those in which he thinks himself rather an exceptional young man, thoroughly sophisticated, well adjusted to his environment, and somewhat more significant than any one else he knows. F. Scott Fitzgerald
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  1. I fell in love with her courage, her sincerity, and her flaming self respect. And it's these things I'd believe in, even if the whole world indulged in wild suspicions that she wasn't all she should be. I love her and it is the beginning...
  2. I wasn't actually in love, but I felt a sort of tender curiosity.
  3. I'm not sentimental-- I'm as romantic as you are. The idea, you know, is that the sentimental person thinks things will last--the romanticperson has a desperate confidence that they won't.
  4. She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people...
  5. Actually that’s my secret – I can’t even talk about you to anybody because I don’t want any more people to know how wonderful you are.
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